I Guess That’s Why They Call It The Elton John Podcast

Episode 40 - Tumbleweed Connection at 50 (part 2) with John Higgins and Peter Thomas

Here we are at last! This is the concluding part of the Tumbleweed Conversation I had with John Higgins, Elton's Legacy Consultant and Feature Writer at eltonjohn.com, and Peter Thomas, founder of pmc-speakers.com and Elton collector extraordinaire. Once again, I invite you to accompany us on our ramble along the timeline, all the way to the Troubadour.  The image from the episode comes from this current auction, which is for a set of handwritten 'Parish Magazines', written and illustrated by Bernie and his brother Tony in 1960-61, that are packed with references to the Wild West. This is where the legend began!  In the intro, I mention a possible identity for the 'Well-Known Gun', but I should have mentioned this Dylan song as well, which was an obvious source for Bernie. No wonder Bernie had a 'fake heart attack' when Dylan told him how much he enjoyed the lyric!

 

Episode 39 - Tumbleweed Connection at 50 with John Higgins and Peter Thomas

I am very thankful to John Higgins,  Elton's Legacy Consultant and Feature Writer at eltonjohn.com, and Peter Thomas, founder of pmc-speakers.com and Elton audio expert, who both joined me for this episode of the podcast.  We got together for a marathon conversation (this is just part one), where we untangled the various strands of the timeline that brought the Tumbleweed Connection album into being. You will hear some of my almost-instrumental 'mixes' (they make use of the 5.1 release) which are designed to throw the songs into relief. You will also hear some of the stories behind the songs, a great deal of love for the album, all topped off with some casual, Elton-related banter.

 

Episode 38 - Tumbleweed Connection Covered

It's all go in Eltonland! The label have marked the 50th anniversary of Tumbleweed with a reissue of the album on green vinyl, plus an entirely unexpected companion 10" single, featuring the unearthed almost 8 minute long original version of Come Down in Time, backed with a full band DJM demo of Ballad of a Well Known Gun. Everything is available, along with a range of Tumbleweed merch, over at the EltonJohn.com shop, and John Higgins' fascinating anniversary article about Tumbleweed can also be found there now.  Since the album is often felt to be the musician's Elton John album, I thought it would be interesting to go through some of the cover versions of these songs, and to make up my own playlist of my favourite covers. You may have very different choices - please let me know on the Facebook group or by email if I haven't picked or played your favourites.  I'll be back with a fuller breakdown of Tumbleweed at some point in the future. If you want to listen to the YouTube playlist without me bleating all over the songs, it can be found here.

 

Episode 34 - Fantasy Residency and More Songs They Gave Away

In this episode I apologise for my absence; make some excuses; review the autobiography, in a limited sense; talk about the way that the book, the film and reality interact in one case; accept that I was wrong in another; mentally stage a residency, made up of Elton's deep cuts; all before the main event, which is a follow up to episode 14 - The Songs They Gave Away. In that sense, it's a bit of a grab-bag. Prepare for the familiar to sound very different, in the hands of other artists, and also for some songs that (I hope) you won't have heard before.

Episode 31 - Empty Sky at 50

Empty Sky, Elton’s debut album, and also his most honest, laid-back sounding set of songs, hit the shelves 50 years ago this month. It didn’t make much impact at the time, but it is greatly loved, both by fans, and by the people that created it.  This episode tells the story of the album through interviews with the gang of ‘lost boys’ who were credited on the sleeve – Elton, Bernie, Caleb, Steve Brown and David Larkham. In the process, their musical influences are identified, the lyrics are analysed, and the music is teased apart to reveal what lies under the surface. In preparation for this episode, I have sequenced a 6 CD ‘possible deluxe edition’, based on what is known to exist. The first 3 CDs are discussed in this episode. They contain the stereo and mono mix of the music recorded in these sessions, alternate mixes that can be found on acetate, BBC sessions and live recordings. The remaining CDs (full of demos, unreleased tracks, Elton's studio sessions, and covers by other artists) will be discussed in forthcoming episodes. The full tracklisting can be found in this pdf. The image for this episode is the David Larkham photograph that was used as the basis for his cover illustration.  There’s also a rant about Rocketman...

Episode 30 - Listening Session with Peter Thomas

You are invited to a very special listening session and conversation with Peter Thomas, the preeminent Elton John collector and archivist. Peter Thomas, in his role as founder of monitor and speaker company PMC, has worked with the finest studios, mastering houses and broadcasters in the world. He has a passion for sound quality, and this extends into his hobby, which is researching and collecting Elton's earliest and most obscure recordings.  In this episode you will get to hear some snippets of Peter's favourite acquisitions, as well as the histories around the acetates and reels of tape that carry these sounds through to the present day.  The image for this episode is Peter's promo copy of 'I've Been Loving You', along with the handwritten release and contact details, featuring Elton's home phone number in Pinner.  Once again I'd like to thank Peter for the wonderful generosity he has shown, sharing his time, his treasures, and his memories.

Episode 15 - Ego at 40

24 months passed between the recording sessions for Crazy Water, and those for Elton's next (major) single, the angry, jagged Ego. From the sound of the record, Elton hadn't been able to find much solace in the interim. Ego twists with the energy of a tantrum. It's dark and humourous, petulant and self-mocking, all at once.  Backed with Flintstone Boy, a lightly subversive slice of queer country music, this single was Elton's state of the nation address for Spring 1978, and a real artistic statement. Unfortunately for Elton, punk had come, the new wave was in the ascendancy, and younger record buyers were not looking in his direction. For their part, Elton's own fanbase were alienated by the lack of a singable hook in the song. Released 40 years ago today, Ego stalled at number 34 on both sides of the Atlantic. This episode is a celebration of this vital single release. Part biography, part musical analysis, the episode looks at 1977/1978 Elton, and these two songs, from every conceivable angle.  The episode takes some of its shape from the excellent Elton John biography 'Captain Fantastic' by David DeCouto.  The two centre extractions that I talk over can be heard in full on my new YouTube channel.

 

Episode 4 - It Was 40 Years Ago Today, Grumpy Elton Sacked The Band On Stage

This is the story of the band that Elton essentially sacked, live on stage, entirely out of the blue. 40 years ago, Elton played a charity gig at Wembley Pool. The band were expecting him to announce that he was going out on tour again, with them as his backing band. A very different announcement was made. In this episode we work out what led Elton to make that decision.  Here's a picture of the band in question. Here's the setlist.fm page for the night. Here's the full show on YouTube.