I Guess That's Why They Call It The Elton John Podcast

Episode 41 - Old Friends

It's the 50th Frenniversary! Elton's 4th album was a pick-and-mix, with three pastoral pop songs from the same mould as the Elton John Album, two spiky rock songs that kept the Tumbleweed rolling, and a 10 minute long Buckmaster-stroke, thrown in for good measure. While it is an uneven listen, it contains some of Elton's finest music. The album gets some of the respect that it's due in this episode, by way of interviews, reviews, rare audio, and covers.

 

Episode 37 - 'Elton John' at 50 (Part 2) with John Higgins and Skaila Kanga

 

Here's the rest of my track by track breakdown with John Higgins of the 'Elton John' album. The album lit a fuse. Four and a half months later, Elton exploded at the Troubadour. John and I got to talk about some of the strides and the mis-steps that were taken along the way. John is Feature Writer at www.eltonjohn.com as well as Elton's Legacy Consultant. Elton fans can thank him for the exceptional 50th anniversary articles he's been writing, and show him love and eternal recognition for finding a way, alongside Daryl Easlea from Universal, and others, to make the upcoming box set 'Elton: Jewel Box' a reality. Also starring in this episode is the delightful Skaila Kanga. We talked about her harp work on the 'Elton John' album, her musical history, and her time in the classroom with Elton. Skaila has worked with essentially everyone over a hugely successful career, and she was still extremely busy when we spoke, back in March  Skaila's been keeping busy during the enforced hiatus from live and studio work: she's been posting some lovely seasonal videos of her harp playing over at her YouTube channel.

 

Episode 35 - 'Elton John' at 50 with John Higgins

Enormous thanks to John Higgins - Feature Writer for the eltonjohn.com website - who came onto the podcast to share his love for the 'Black Album', and to tell me some of the stories that he'd been able to hear during interviews that he carried out with Paul Buckmaster and Gus Dudgeon about their work on the project.  We listened through some 'mixes' that I've made of the tracks, making use of the separate channels in the 5.1 mixes, which I feel make for a pleasing new outlook onto some of Elton's densest material.  Apologies to anyone who's been waiting on an episode, or a reply from me. There are several excuses in the episode, I won't repeat them here.  Part two of this interview will be up very soon!

Episode 34 - Fantasy Residency and More Songs They Gave Away

In this episode I apologise for my absence; make some excuses; review the autobiography, in a limited sense; talk about the way that the book, the film and reality interact in one case; accept that I was wrong in another; mentally stage a residency, made up of Elton's deep cuts; all before the main event, which is a follow up to episode 14 - The Songs They Gave Away. In that sense, it's a bit of a grab-bag. Prepare for the familiar to sound very different, in the hands of other artists, and also for some songs that (I hope) you won't have heard before.

Episode 31 - Empty Sky at 50

Empty Sky, Elton’s debut album, and also his most honest, laid-back sounding set of songs, hit the shelves 50 years ago this month. It didn’t make much impact at the time, but it is greatly loved, both by fans, and by the people that created it.  This episode tells the story of the album through interviews with the gang of ‘lost boys’ who were credited on the sleeve – Elton, Bernie, Caleb, Steve Brown and David Larkham. In the process, their musical influences are identified, the lyrics are analysed, and the music is teased apart to reveal what lies under the surface. In preparation for this episode, I have sequenced a 6 CD ‘possible deluxe edition’, based on what is known to exist. The first 3 CDs are discussed in this episode. They contain the stereo and mono mix of the music recorded in these sessions, alternate mixes that can be found on acetate, BBC sessions and live recordings. The remaining CDs (full of demos, unreleased tracks, Elton's studio sessions, and covers by other artists) will be discussed in forthcoming episodes. The full tracklisting can be found in this pdf. The image for this episode is the David Larkham photograph that was used as the basis for his cover illustration.  There’s also a rant about Rocketman...

Episode 15 - Ego at 40

24 months passed between the recording sessions for Crazy Water, and those for Elton's next (major) single, the angry, jagged Ego. From the sound of the record, Elton hadn't been able to find much solace in the interim. Ego twists with the energy of a tantrum. It's dark and humourous, petulant and self-mocking, all at once.  Backed with Flintstone Boy, a lightly subversive slice of queer country music, this single was Elton's state of the nation address for Spring 1978, and a real artistic statement. Unfortunately for Elton, punk had come, the new wave was in the ascendancy, and younger record buyers were not looking in his direction. For their part, Elton's own fanbase were alienated by the lack of a singable hook in the song. Released 40 years ago today, Ego stalled at number 34 on both sides of the Atlantic. This episode is a celebration of this vital single release. Part biography, part musical analysis, the episode looks at 1977/1978 Elton, and these two songs, from every conceivable angle.  The episode takes some of its shape from the excellent Elton John biography 'Captain Fantastic' by David DeCouto.  The two centre extractions that I talk over can be heard in full on my new YouTube channel.

 

Episode 10 - The One - 25 And A Half Years On

Elton came back from rehab stronger than ever at the end of 1991. Here, in review, is the album that he brought back from the brink with him. The context, the music, the lyrics, the instrumentation - it's all given the analysis it deserves in this episode

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